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portraits I. family portrait your father was a scarecrow holding a radio his sperm was sawdust and her ovum a silver raindrop I would wear the trophy deer’s head and keep silent of wolverines and shells of dried tortoise on the clothes-wires your father became a set of dentures forgotten on an ottoman they would try to guess my age over the sawmill of a static radio “someone is out there hunting me” on our dirt road with an aluminum baseball bat but it was they who had made me a signpost in the night I. self-portrait after all-night binge bruises are muses II. portrait of a lightning bolt if all of existence is a storm then I am a T-shirt in a tornado with a lightning-bolt airbrushed on it III. quick sketches of certain listeners There is a light-bulb wrapped in purple velvet. She shakes, There’s an eye shot out and shut into a weathered leather flask of a face. There’s a never-once-opened bottle within which is a mosquito There is a spy; he’s deaf, dumb, and mute. In the corner leaning is a framed blueprint One tries to be a bird carrying a bird by its feet over a field of
dead birds. A wing falls like a leaf from my poem. There is that hour for light that won’t breathe this smoke. The dichotomy we carry is one side always lying to its bisymmetry: What the hell is it that keeps us from right down the middle tearing? * |
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| Joe Milford | |||||
| A graduate of the Iowa Writers’ Workshop, Joe Milford teaches English at Coastal Georgia Community College; he will join the faculty at University of West Georgia in Fall 2005. Published in First Intensity, Wisconsin Review, Canary, and elsewhere, he is intrigued by the surreal nature of the coastal South, especially its bogs and marshes. | ||||||||
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